Line Dances: Flourished Borders
with Heather Victoria Held
The offhand flourish is a powerful design tool that can be used to create imaginative border designs. Using straight lines, refined curves and foliate elements we can create stunning borders and accents that will enhance your script lettering. Your flourishes can become as detailed and intricate as you like as we progress through the class. Colour can be added with watercolour or coloured pencil or you can choose to leave your designs in pen and ink. See what emerges on the paper.
This class is open to all skill levels.
Straight or oblique penholder with medium flexible nib such as the Zebra G
Either McCaffery Brown Ink, McCaffery Penman’s Black Ink or Old World Iron Gall
Bleedproof White with mixing brush
Pencil, Eraser, Metal Cork Back Ruler (at least 5”), Note taking supplies, Paper
Towel, small water dish
Your Favourite practice paper such as Rhodia or Maruman (Gridded or Blank)
A few sheets of cardstock dark colours as well as ivory/cream cut to 5” x7” size.
An alternative to ivory cardstock would be 140 lb. Hot Press Watercolour Paper,
or Strathmore 400 Series Drawing Paper. Bring what you have, and we will play!
Optional: (Bring the following supplies if you want to add colour to your designs)
A few coloured pencils in floral colours, or watercolour/watercolour pencils with
small pointed round watercolour brush and water dish.
Gold Gouache or Gold Watercolour
Note: These designs can be done entirely in pen and ink without additional colours but
are spectacular when colour is added. I will be using coloured pencil, watercolour
pencils and watercolour for the various designs. Bring anything you like to use or
opt to travel light for this class.
Heather will be using:
Metallic Watercolour or Gouache or Gold Leaf
Dianne Townsend Pastels (Terrages in Blue and Green)
Sakura Clear Stardust Gelly Roll Pen
Daniel Smith Watercolour (John Neal sells a Dot Card of her favourite colours)
Captivating Curves: Creating Acanthus Foliate Designs
with Heather Victoria Held
For centuries, the acanthus leaf has been used decoratively in illuminated manuscript borders, sculptures, architecture, textiles and wallpaper. Calligraphers and illuminators enjoy its charm and versatility as it can meander around your page as a striking gilded border, adorn capital letters, serve as graceful line endings or add interest on any corner of your paper. There are simple strategies to learn as you cultivate their curves and they offer endless possibilities. We begin the class in our study of the ornamental acanthus with pencil sketches and then move to designing, gilding and painting a foliate spray that will be suitable for framing. Unleash the magic of this graceful plant as we combine it with floral elements. This class will enhance yourskills as a calligrapher and illuminator as you learn how to cultivate these charming foliate curves.
Instructor’s Note: My supply list is constantly evolving as I experiment with new techniques. There are a variety of ways to get similar results with your designs while using different materials than what I use. Please don’t feel you have to use the exact supplies that I am using. The exception is the ink for outlining as very few products will do this job well. I recommend using either McCaffery Brown Ink or McCaffery Black Ink or Ziller Buffalo Brown Ink. Walnut Ink will not work. I have listed a few of my favourite watercolours in the supply list but you may use any colours at all. Please contact me at email@example.com if you have any questions about supplies.
Gridded Paper or Gridded Journal for Sketches
140LB Hot Press Watercolour Paper cut down to 5”x7” size. (3-4 pieces will be plenty for your design with extra sheets available to test techniques)
Mechanical Pencil, Kneaded Eraser, White Vinyl Eraser, Ruler
Tracing Paper, 4H pencil, Scotch Repositionable Tape
Note: if you have a portable lightweight lightpad, you can bring that instead of the Tracing
Paper and 4H pencil, but please don’t feel you need to purchase a lightpad.
Straight Penholder and Medium Flexible Nib such as a Zebra G
Either McCaffery Brown, McCaffery Black or Ziller Buffalo Brown Ink. The brown inks give a
more subdued effect than the black ink. If you substitute the ink, be sure it is waterproof and test it on a piece of your watercolour paper to make sure the ink does not feather or bleed.
23 K Gold Leaf (one sheet will do several projects), Gilding Medium such as Miniatum Ink,
Scissors for cutting gold leaf, inexpensive synthetic pointed brush for gilding medium (I use a size 0 or 00 for this step)
Note: These designs are spectacular when gilded, but if you prefer, you can use either Finetec Gold watercolour or Gold Gouache instead of Gold Leaf for your designs.
Any Artist quality brand of watercolour will work, either tubes or pan colours. I use mainly
Daniel Smith and Holbein colours.
A few of my favourite colours are suggested below:
Quinachridone Pink or Permanent Rose,
A small china plate is helpful for mixing colours if your palette does not have a mixing area. I always have either Titanium White or Bleedproof White with me for special techniques. John Neal Booksellers sells a Dot Card of my favourite colours which can be purchased inexpensively and will be enough pigment for several designs. Daniel Smith also sells a full range of their colours in the dot card format. Both of those options are good if you are new to watercolour and just want to try it out.
Watercolour pencils are helpful to have with you in a few floral colours like greens and pinks but not necessary. If you want to use watercolour pencils along with the watercolours the only brand that will not work well is Inktense.
Small Pointed Round Watercolour Brushes size 0 and 1. I use Kolinsky Sable Brushes, but a good quality synthetic pointed round brush will also work.
Water dish and paper towel or washable white bar towel
Optional Embellishments: Finetec Metallic Watercolours, Sakura Gelly Roll Pen. I will bring Swarovski Crystals and Gem Tac Glue with me to share if you want to add a little more sparkle to these charming designs.
Click here for printable brochure Captivating Curves
Click here for registration form HH registration
FOUNDATIONAL FOR BEGINNERS AND IMPROVERS
with SUZANNE CANNON
Foundational Hand is one of the earliest letterform of the miniscule alphabet. It dates back to ther 10th century, but was mde popular again in the early 20th centuery by English calligrapher, Edward Johnsron. Learning the structure of these beautiful letters is the focus odf this class wirth Suznne Cannon , and will open the door to many possibilities.
Click here for the registration form: OCT 2019 Workshops
ITALIC FOR BEGINNERS AND IMPROVERS
with SUZANNE CANNON
Italic script was deceloped by the Italian humanisrs in abut 1400 from antique Latin texts and inscriptions.Irr is a sloping, light bodied, compact, and almost cursive style of letter that is extremely redable and widely used. This beautiful hand is one o the essentials for all calligraphers to master. Suzanne Cannon will teach you the special nuances to help you learn (or improce) this graceful, useful letterform.
Click here for registration form :OCT 2019 Workshops
USING YOUR PILOT PARALLEL PEN
Have fun at WOOL on Saturday and then spend Sunday learning at more depth. The Pilot Parallel Pen is a versatile tool that sometimes seems intimidating. Learn the ins and outs of this pen and how to use it.
More details coming soon.